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From the Desk of the Unimonster...

From the Desk of the Unimonster...

Welcome everyone to the Unimonster’s Crypt! Well, the winter’s chill has settled into the Crypt, and your friendly Unimonster won’t stop shivering until May! To take my mind off the cold, we’re going to take a trip into the future … the future of Star Trek! Star Trek was the Unimonster’s first love, and we’ll examine that in this week’s essay. We’ll also inaugurate a new continuing column for The Unimonster’s Crypt, one written by the Uni-Nephew himself! This week he examines one of his favorite films, one that, quite frankly, failed to impress his uncle, Jordan Peele’s Nope. So enjoy the reading and let us hear from you, live long and prosper, and … STAY SCARY!

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Showing posts with label Werewolves. Show all posts
Showing posts with label Werewolves. Show all posts

29 October, 2014

Packing for Transylvania




Recently, Alexandra of Mancrates Gifts for Men contacted your friendly ol’ Unimonster.  Mancrates is a site that specializes in manly gifts for manly men (so, of course they came to me, natch)—no frou-frou wrapping paper or frilly bows … the lucky recipient of a Man Crate gets just that, a crate and a crowbar.  The crate comes packed with a chosen assortment of everything a man could wish for—well, almost everything.  From video games, to barware featuring your favorite team’s logo, to enough beef jerky to carry you through any movie marathon or from the earliest pre-game show on Sunday morning through to Chris Collinsworth’s final words fifteen hours later, mancrates.com will box it up and ship it out.  And the question that Alexandra and mancrates wished to pose to the Unimonster was, “If you could have us crate up a kit to help you survive in a horror film, what would it contain?”
Most horror fans, when posed this question, would think ‘zombie apocalypse’ and start assembling weapons, ammo … and giant, economy sized cans of pudding.  Personally, I’m going to go in another direction.  I already have weapons and ammo, and I’m not all that crazy about pudding.  What I am crazy about is classic horror—vampires and werewolves, mummies and monsters, ghosts and ghouls.  And few have done classic horror as well as Hammer Films.  Beginning in 1957, this British studio resurrected classic horror from the depths to which it had plunged following World War 2, making it ‘cool’ again for a generation of movie goers.
Yvonne Furneaux-- The Mummy
Yvonne Monlaur-- The Brides of Dracula
Yvonne Romain-- Curse of the Werewolf, Night Creatures
And that’s the horror film into which I’d place myself.  One of the great, period horrors of the late 1950s, when Hammer was at it’s peak, artistically speaking.  There are several reasons for my selection.  First, no one’s starving in a Hammer film.  In fact, the vampires usually do one the courtesy of a sumptuous meal before the fangs come out and they get down to business.  Second, while I’ve never been accused of being a fashion plate, I do like to bathe and change my clothes more than once a year.  And lastly, we have the lovely ladies of Hammer Horror.  Now, if I have to fight my way through hordes of undead walkers, then Carol and Michonne are my picks.  But for sheer good looks, give me Hammer’s three Yvonnes—Yvonne Monlaur, Yvonne Furneaux, and Yvonne Romain.
So now that that’s decided, I need to pack for the trip.  The first thing mancrates will be putting in that box is some holy water.  I’m not talking about some tiny little vial—I want a gallon jug, preferably blessed by both Popes.  And a Hudson sprayer.  Throw in a box of crucifixes … the more the merrier.  Why Peter Cushing could never bother with packing more than one has always baffled me.  A little foresight and he wouldn’t have had to improvise with a pair of candlesticks.  Besides, vampires, at least in Hammer’s take on the species, tend to travel in packs.  Two more items to take care of the vampire set—a good, heavy mallet and a brace of stakes.  Maybe eighteen or twenty in a quiver would be nice.
Now, compared to vampires, werewolves are relatively easy to kill, if one knows the secret of how to do it.  Silver bullets; a box of fifty should be sufficient.  But not just any cartridge will suffice.  I’d like to keep things as period authentic as possible.  So let’s start with a handgun that’s quintessentially Victorian, with a bit of a ‘Steampunk’ vibe, the Webley Mk. I, chambered for the .455 cartridge.

One last item needs to be taken care of, and then mancrates can nail my crate shut, cover it in duct tape, and ship it out.  As Peter Cushing, Christopher Lee, and a host of their fellows demonstrated time and again, one simply does not battle monsters unless one is suitably attired; at least, not if one is a gentleman.  I’m not sure how a tweed jacket or white tie and tails helps a person kill monsters … but why take a chance?







05 October, 2014

Cambot's Voice #3-- I Was a Teenage Werewolf (MST3K-809)



I Was a Teenage Werewolf (MST3K-809)

Reviewed by:  S. J. Martiene

I mentioned in Experiment 1 that I was a Mom of two teenagers.  Some of the best, MSTied movies feature the teenager and B-movie genres.  It just so happens that this month’s feature, MST3K #809 I Was a Teenage Werewolf fits both bills perfectly.  Of course, they are SUPPOSE to be teenagers in this film, but Hollywood has an affinity for older actors playing high schoolers; ONE of which is playing our monster.  We have it all in this movie.  There is milk-throwing, raw meat eating, a Halloween party, bad singing, a mad scientist, and yes … a werewolf.  The fact that THIS particular lycanthrope is portrayed by none other than TV icon, Michael Landon makes this movie interesting for riffing on so many fronts.  There are Bonanza jokes, Little House on the Prairie jokes, and Highway to Heaven jokes.  There is even one riff dedicated to a 1976 autobiographical movie Landon wrote and directed called The Loneliest Runner.

I have to say that since re-watching this movie, the host segments are some of the best of the series.  With a runtime of only 76 minutes, the host segments are a bit more detailed and really show the comedic timing and writing talents of the gang.  So enjoy, as we take you through the exploits of 1957’s I Was a Teenage Werewolf.

HOST SEGMENT 1:
The Bots want to overthrow Mike as Captain of the ship, but they soon learn that none of them are capable of replacing him.  Crow and Tom nominate Gypsy, but she has to run the ship.  Crow has a set of creepy crawlers in the thing-maker … and well, Servo … is Servo.  He has prepared a “statement” on WHY he cannot be Captain.  This is one of my favorites, so read on, won’t we?

…  I cannot be Captain, for you see dear friends, I am unfit to lead other men into battle, into space, or in a line dance.  I submit that if I picked my nose for a half an hour, my head would cave in.  I’m nary to know betwixt shinola and that other stuff.  I cannot lead because I cannot find my ass with both hands and a flashlight … I will now open the floor to questions about my accomplishments.
Since Servo’s concession speech is over, Mike regains his position as Captain.  Servo mocks him as only a conceding Bot can.  Pearl, Brain Guy, and Professor Bobo are on Earth (somewhere).  They are camped out and Pearl has told Mike she is putting the crew on battery back up, disconnecting them from their main power source.  This upsets Mike greatly … “We’ll be without power???”  And then, what follows, is the BEST Pearl Forrester line ever:

“…  You know what else?  You’ll be without diapers too, you big, huge, giant babies!!  DEAL WITH IT!!”
Pearl packs up all the gear, and sends the guys a movie.  Soon, there’s a hull breach and Servo comes back with a face hugger.

MOVIE SIGN!
During this film, there are many parodies of the Bonanza theme song.  The movie opens with our lycanthropic protagonist, Tony, in a schoolyard fight.  Soon we see Detective Donovan (Barney Phillips).  You may remember him from the EXCELLENT Twilight Zone episode, Will the Real Martian Please Stand Up?  He does what he can to calm Tony down, but he doesn’t want to have any of it.  You will notice a high number of Richard Jewell jokes during this segment.  Google him if you don’t remember what happened at the ’96 Olympics.  Anywho, Donovan wants Tony to see a “doctor/shrink/mad scientist.”  Tony disagrees and walks off with his girl.  The next scene takes us home and his Dad.  Tony protests too much when Dad tries to talk about his stubbornness.  His Dad leaves for work, chiding him NOT to eat his lamb chops raw like he did his burgers.  Tony has had enough of everyone yapping at him all day and we see the whole premise of his demise see ….MILK HURDLING!!  (All the guys make kitty meow sounds here)  The scene switches to Arlene’s house, where “Jabba the Husband” and the woman with “Aaron Burr’s Hairstyle” live.  They give the 50’s “talking” to the Tony the boyfriend.  Girlfriend starts harping about the doctor again. 
Now it is PARTY TIME…with vague “Kinda White” music, innocuous pranks, great lines, and the running joke with safety dummy, Resusi-Anne.  “Ah...kids those days!”  (Crow)

HOST SEGMENT 2
Crow has a Proximity Detector to see how bad the alien life forms are on the ship.  They are all OVER, problem is…..he had the wrong setting activated on the detector and was measuring the humidity.  They have LOTS of humidity, by the way.

MOVIE SIGN
Back to the party…  “Elvis J. Pollard” is singing.  “We are now entering a genital-free zone.”  (Servo)  The song is one of the worst ever, almost as bad as when Michael Landon was on the TV show Hullaballoo (Google that if it is around…YIKES).  After the song is over, the DUMB pranks start.  Mike:  “The Carnival of Souls boyfriend.”  One of the guys blows a horn in Tony’s ear … and suddenly it’s “The Sock Hop of the Damned” (Mike).  Tony slugs one of his friends and pushes down his girlfriend.  Servo laments, “I thought it was alright if I picked a little fight, Bonanza?”
That little episode at the party lands our little werewolf-to-be in the office of veteran B-movie actor, Whit Bissell (who was actually in some really good films too).  Bissell’s character, Dr. Brandon also has a sidebar conscience (his assistant played by Joseph Mell).  Dr. Brandon hypnotizes him, and he closes the session saying, “Soon…you’ll be yourself.”  “An angel, a cowboy, a pioneer dad.”  (Mike)
The kids have another gathering…but Tony is bumming.  Frank (another kid) isn't pairing up with anyone and will walk home alone. 
Cut to Frank walking home ALONE.  ”Ralph Fiennes IS Li’l Abner!”  (Crow)  “I was a teenage werewolf snack.”  (Servo)  We know Frank is TOAST he just runs and falls and falls and runs…and well…this IS a predictable set-up in a B-movie.

HOST SEGMENT 3
Servo hunts down face hugger and kills him.  Did I mention he was heavily armed?  He is going after the “beast” that has the ship surrounded.  Crow and Mike are taking bets on how long it takes Servo to cry.  And he does cry ...singing…”Don’t Cry Out Loud,” “You’ll Never Walk Alone,” and “(They’re Coming to) America.”

MOVIE SIGN

The movie returns and we find ourselves at the police station, with Detective Donovan.  Another policeman walks in.  This guy….NAMED GUY Williams did not get a first billing, but he became known later playing TV’s Zorro and Dr. John Robinson of Lost in Space.  Also, there is an introduction to Pepe, the janitor, at the police station who wanted to look at the pictures.  Pepe knows right away, the death is caused by a werewolf.  “You’re crazier than Dr. Smith!”  (Servo)

Tony goes back for another session at Dr. Brandon’s.  Tony is scared.  “I found a leather jacket in my stool this morning!”  (Servo)  Brandon keeps battling with his assistant.  Tony remains tense.
High school, high school and we have to see a girl in yucky gym leotards.  Tony talks to the principal and he gets kudos from her.  He leaves and starts watching the gymnast.  “It’s alright if I kill a couple of kids, Bonanza!”  (Crow)  He leaves the office and bells ring “Oops, he’s Johnny Depping.”  (Mike)  He attacks her in front of many people then, the poor girl dies.  “This is good, she caught him in the act and she can rub his nose in it.”  (Servo)  When the cops arrive, all the kids finger Tony, but they can’t believe it.  Even Dr. Brandon denies Tony could BE a werewolf.  Everyone gets a going over, the Dad, the girlfriend, and Tony is still howling up and down the woods.  “Just give him a Liv-a-snap.”  (Servo) 

HOST SEGMENT 4

The beast is laying GIANT alien eggs.  The guys start making omelets and …well, Crow starts designing the menu.  “She’s not around, which means she could be anywhere!”  (Servo)  Suddenly Crow becomes a restaurant critic.

MOVIE SIGN!
A search commences for Tony.  I’ll just list a series of riffs during this segment because there is no real action to describe except for guys peering through things.  “Try banging on his food dish, men.”  (Mike)  “The Bernard Hermann score really heightens the tension.”  (Servo)  “Looks like Paddington on a bender”  (Mike)  “This werewolf is an herbivore.  Luckily, this guy’s name is Herb.”  (Crow)  “Indiana Jones and his sidekick, Merle.”  (Crow)  “Never let Jose Feliciano lead your search party.”  (Mike)  “Sir, I think I saw a werewolf with a Chinese menu in his hand.”  (Mike)  “1943- An Ewok makes it behind German lines” (Servo)
Finally Tony changes back to Tony.  He calls Arlene but cannot speak to her.  The police want to know who called her; she couldn't tell.  “…  I’ll check in with Huggy Bear.”  (Servo)  Tony then returns to Dr. Brandon, who decides to put him under one more time.  “Dogs can sense bad acting.”  (Servo)  Tony changes back into a wolf; this isn’t good for Whit Bissell.  The cops FINALLY come in and look at the debris field.  “Wow, a werewolf that size can really poop!”  (Servo)  They shoot to kill, guessing somewhere along the line the silver bullet necessity has been covered.  Tony is dead.  Whit Bissell is dead.  All that is left is for the police to cry over spilled werewolf.
The guys exit the theater and they soon see the alien has taken over the ship.  They have to reverse the ship polarities to remove it.  This didn’t work, so they have to do the one thing they were saving that would repulse the alien so much, it would have to leave.  Mike became Adam Duritz of Counting Crows.  It worked.  Once they regained control of the ship, we see Pearl telling ghost stories around the campfire to Bobo and Brain Guy.  She has them crying like little girls.
This movie is a howling good time.  Seriously, it has EVERYTHING.  I have seen it unriffed and riffed many, many times and every time I laugh my butt off.  If you get the chance to see it, don’t miss it. 
These following websites are invaluable for information.  Check them out, won’t we?
www.mst3kinfo.com
www.imdb.com
www.rifftrax.com
www.cinematictitanic.com
http://mst3k.wikia.com/wiki/Mystery_Science_Theater_3000_Wiki
http://mightyjackmst.com/




10 June, 2012


Cambot’s Voice by S. J. Martiene

EXPERIMENT 3:  I WAS A TEENAGE WEREWOLF


I mentioned in Experiment 1 that I was a Mom of two teenagers. Some of the best, MSTied movies feature the teenager and B-movie genres.  It just so happens that this month’s feature, MST3K #809 I Was a Teenage Werewolf fits both bills perfectly. Of course, they are SUPPOSE to be teenagers in this film, but Hollywood has an affinity for older actors playing high-schoolers; ONE of which is playing our monster. We have it all in this movie.  There is milk-throwing, raw meat-eating, a Halloween party, bad singing, a mad scientist, and yes…a werewolf. The fact that THIS particular lycanthrope is portrayed by none other than TV icon, Michael Landon makes this movie interesting for riffing on so many fronts.  There are Bonanza jokes, Little House on the Prairie jokes, and Highway to Heaven jokes.  There is even one riff dedicated to a 1976 autobiographical movie Landon wrote and directed called The Loneliest Runner.
I have to say that since re-watching this movie, the host segments are some of the best of the series.  With a runtime of only 76 minutes, the host segments are a bit more detailed and really show the comedic timing and writing talents of the gang.  So enjoy, as we take you through the exploits of 1957’s I Was a Teenage Werewolf.

Cast

Cast overview, first billed only:
Michael Landon
...
Yvonne Fedderson
...
Arlene Logan (as Yvonne Lime)
Whit Bissell
...
Tony Marshall
...
Dawn Richard
...
Barney Phillips
...
Detective Donovan
Ken Miller
...
Cynthia Chenault
...
Pearl (as Cindy Robbins)
Michael Rougas
...
Robert Griffin
...
Joseph Mell
...
Malcolm Atterbury
...
Eddie Marr
...
Vladimir Sokoloff
...
Louise Lewis
...
HOST SEGMENT 1:
The Bots want to overthrow Mike as Captain of the ship – they soon learn none of them are capable of replacing him.  Crow and Tom nominate Gypsy, but she has to run the ship.  Crow has a set of creepy crawlers in the thing-maker…and well, Servo…is Servo.  He has prepared a “statement” on WHY he cannot be Captain.  This is one of my favorites, so read on, won’t we?

“..I cannot be Captain, for you see dear friends, I am unfit to lead other men into battle, into space, or in a line dance.  I submit that if I picked my nose for a half an hour, my head would cave in.  I’m nary to know betwixt shinola and that other stuff.  I cannot lead because I cannot find my ass with both hands and a flashlight…I will now open the floor to questions about my accomplishments.”
Since Servo’s concession speech is over, Mike regains his position as Captain.  Servo mocks him as only a conceding Bot can.  Pearl, Brain Guy, and Professor Bobo are on Earth (somewhere).  They are camped out and Pearl has told Mike she is putting the crew on battery back-up, disconnecting them from their main power source.  This upsets Mike greatly… “We’ll be without power???”  And then, what follows, is the BEST Pearl Forrester line ever:

“… You know what else?  You’ll be without diapers too, you big, huge, giant babies!! DEAL WITH IT!!”
Pearl packs up all the gear, and sends the guys a movie.  Soon, there’s a hull breach and Servo comes back with a face hugger.
MOVIE SIGN!
During this film, there are many parodies of the Bonanza theme song.  The movie opens with our lycanthropic protagonist, Tony, in a school yard fight.  Soon we see Detective Donovan (Barney Phillips).  You may remember him from the EXCELLENT Twilight Zone episode, Will the Real Martian Please Stand Up?  He does what he can to calm Tony down, but he doesn’t want to have any of it.  You will notice a high number of Richard Jewell jokes during this segment.  Google him if you don’t remember what happened at the ’96 Olympics.  Anywho, Donovan wants Tony to see a “doctor/shrink/mad scientist”.  Tony disagrees and walks off with his girl.  The next scene takes us home and his Dad.  Tony protests too much when Dad tries to talk about his stubbornness.  His Dad leaves for work, chiding him to NOT eat his lamb chops raw like he did his burgers.  Tony has had enough of everyone yapping at him all day and we see the whole premise of his demise see ….MILK HURDLING!! (all the guys make kitty meow sounds here) The scene switches to Arlene’s house, where “Jabba the Husband” and the woman with “Aaron Burr’s Hairstyle” live.  They give the 50’s “talking” to the Tony the boyfriend.  Girlfriend starts harping about the doctor again. 
Now it is PARTY TIME…with vague “Kinda White” music, innocuous pranks, great lines, and the running joke with safety dummy, Resusi-Anne.  “Ah...kids those days!”  (Crow)
HOST SEGMENT 2
Crow has a Proximity Detector to see how bad the alien life forms are on the ship.  They are all OVER, problem is…..he had the wrong setting activated on the detector and was measuring the humidity.  They have LOTS of humidity, by the way.

MOVIE SIGN
Back to the party… “Elvis J. Pollard” is singing.  “We are now entering a genital-free zone.” (Servo) The song is one of the worst ever, almost as bad as when Michael Landon was on the TV show Hullaballoo (Google that if it is around…YIKES).  After the song is over, the DUMB pranks start.  Mike:  “The Carnival of Souls boyfriend.”  One of the guys blows a horn in Tony’s ear … and suddenly it’s “The Sock Hop of the Damned” (Mike).  Tony slugs one of his friends and pushes down his girlfriend.  Servo laments, “I thought it was alright if I picked a little fight, Bonanza?”
That little episode at the party lands our little werewolf-to-be in the office of veteran B-movie actor, Whit Bissell (who was actually in some really good films too).  Bissell’s character, Dr. Brandon also has a sidebar conscience (his assistant played by Joseph Mell).  Dr. Brandon hypnotizes him, and he closes the session saying, “Soon…you’ll be yourself.”  “An angel, a cowboy, a pioneer dad.” (Mike)
The kids have another gathering…but Tony is bumming.  Frank (another kid) isn’t pairing up with anyone and will walk home alone. 
Cut to Frank walking home ALONE. ”Ray Fiennes IS Li’l Abner!”  (Crow)  “I was a teenage werewolf snack.” (Servo)  We know Frank is TOAST he just runs and falls and falls and runs…and well…this IS a predictable set-up in a B-movie.

HOST SEGMENT 3
Servo hunts down face hugger and kills him. Did I mention he was heavily armed? He is going after the “beast” that has the ship surrounded.  Crow and Mike are taking bets on how long it takes Servo to cry.  And he does cry..singing…”Don’t Cry Out Loud”, “You’ll Never Walk Alone”, and “(They’re Coming to) America”.

MOVIE SIGN

The movie returns and we find ourselves at the police station, with Detective Donovan.  Another policeman walks in.  This guy….NAMED GUY Williams did not get a first billing, but he became known later playing TV’s Zorro and Dr. John Robinson of Lost in Space.  Also, there is an introduction to Pepe,the janitor, at the police station who wanted to look at the pictures.  Pepe knows right away, the death is caused by a werewolf.  “You’re crazier than Dr. Smith!” (Servo)

Tony goes back for another session at Dr. Brandon’s.  Tony is scared.  “I found a leather jacket in my stool this morning!” (Servo)  Brandon keeps battling with his assistant.  Tony remains tense.
High school, high school and we have to see a girl in yucky gym leotards.  Tony talks to the principal and he gets kudos from her.  He leaves and starts watching the gymnast. “It’s alright if I kill a couple of kids, Bonanza!” (Crow)  He leaves the office and bells ring “Oops, he’s Johnny Depping.” (Mike) He attacks her in front of many people then, the poor girl dies.  “This is good, she caught him in the act and she can rub his nose in it.” (Servo)  When the cops arrive, all the kids finger Tony, but they can’t believe it.  Even Dr. Brandon denies Tony could BE a werewolf.  Everyone gets a going over, the Dad, the girlfriend, and Tony is still howling up and down the woods.  “Just give him a Liv-a-snap.” (Servo) 

HOST SEGMENT 4

The beast is laying GIANT alien eggs. The guys start making omelettes and …well, Crow starts designing the menu.  “She’s not around, which means she could be anywhere!”  (Servo) Suddenly Crow becomes a restaurant critic.

MOVIE SIGN!
A search commences for Tony.  I’ll just list a series of riffs during this segment because there is no real action to describe except for guys peering through things.  “Try banging on his food dish, men.” (Mike)  “The Bernard Hermann score really heightens the tension”.  (Servo)  “Looks like Paddington on a bender”  (Mike)  “This werewolf is a herbivore.  Luckily, this guy’s name is Herb.”  (Crow)  “Indiana Jones and his sidekick, Merle.”  (Crow)  “Never let Jose Feliciano lead your search party.” (Mike)  “Sir, I think I saw a werewolf with a Chinese menu in his hand.” (Mike)  “1943- an Ewok makes it behind German lines” (Servo)
Finally Tony changes back to Tony.  He calls Arlene but cannot speak to her.  The police want to know who called her; she couldn’t tell.  “…I’ll check in with Huggy Bear.” (Servo) Tony then returns to Dr. Brandon, who decides to put him under one more time.  “Dogs can sense bad acting.” (Servo)  Tony changes back into a wolf; this isn’t good for Whit Bissell.  The cops FINALLY come in and look at the debris field.  “Wow, a werewolf that size can really poop!”  (Servo)  They shoot to kill, guessing somewhere along the line the silver bullet necessity has been covered.  Tony is dead.  Whit Bissell is dead.  All that is left is for the police to cry over spilled werewolf.
The guys exit the theater and they soon see the alien has taken over the ship.  They have to reverse the ship polarities to remove it.  This didn’t work, so they have to do the one thing they were saving that would repulse the alien so much, it would have to leave.  Mike became Adam Duritz of Counting Crows.  It worked.  Once they regained control of the ship, we see Pearl telling ghost stories around the campfire to Bobo and Brain Guy.  She has them crying like little girls.
This movie is a howling good time.  Seriously, it has EVERYTHING.  I have seen it unriffed and riffed many, many times and every time I laugh my butt off.  If you get the chance to see it, don’t miss it. 
These following websites are invaluable for information.  Check them out, won’t we?






02 October, 2011

DVD Review: TRICK 'r TREAT

Title:  TRICK ‘r TREAT

Year of Release—Film:  2007

Year of Release—DVD:  2009

DVD Label:  Warner Premiere



Considering that Halloween is the celebration of all things frightening and horrific, it’s remarkable that, save for the franchise launched in 1978 by John Carpenter’s HALLOWEEN, relatively few Horror Films are devoted to our favorite holiday.  Halloween might get a toss-away nod here and there, but I’m talking about using the day as the central theme of the film, as does Carpenter’s masterpiece of Holiday Horror.  One recent film not only took All Hallows Eve to heart, but it did so in spectacular fashion.  So much so, that it quickly became the Unimonster’s second favorite Halloween movie.  That film is Michael Dougherty’s 2007 movie TRICK ‘r TREAT.

Written by Dougherty, TRICK ‘r TREAT is a cinematic vision of the lore, wonder, and fascination that surrounds Halloween, crystallized into a series of four vignettes interwoven into one story centered on a demonic trick-or-treater named Sam.  Sam (short for Samhain, the Celtic festival of the dead that is the ancestor of our modern Halloween) is the personification of the holiday, watching over the festivities, and punishing those who lack the proper respect for the holiday and its customs and traditions.  He’s present in each of the four stories, as well as visible throughout the framing sequences.

As in most anthologies, some of the tales are better than the rest, but that variation is not nearly as marked here.  The opening sequence features a young married couple named Henry and Emma (Tahmoh Penikett and Leslie Bibb), who are returning from the evening’s festivities and their argument over the disrespect that Emma demonstrates towards the holiday’s traditions.  The four vignettes that follow are, in order:  The Principal, starring Dylan Baker as the principal of the local school, who has an odd way of celebrating the holiday; The School Bus Massacre Revisited, about a group of kids visiting the site of a mysterious tragedy thirty years before; Surprise Party, concerning a young woman’s (Anna Paquin) efforts to lose her “virginity;” and Meet Sam, in which a cantankerous, Halloween-hating old man (the always enjoyable Brian Cox) receives his just desserts.  The film’s conclusion ties the segments together nicely, as well as provides a very satisfying finish.
Technically speaking, the film is remarkably well-done, with photography by veteran DP Glen MacPherson.  Produced by Bryan Singer, director of films such as X-MEN, THE USUAL SUSPECTS, and SUPERMAN RETURNS, TRICK ‘r TREAT has a smooth, polished look that belies its $12 million budget, due in large part to Singer’s experience and guidance.  One factor in that look that I especially enjoyed is the paucity of CGI; almost all the effects work was practical.  The Unimonster is an old-fashioned kinda guy, and much prefers the magic of latex and rubber to pixels and megabytes.  CGI, when perfect, can be spectacularly effective.  Films such as STAR TREK and SUCKER PUNCH demonstrate this.  However, perfection is both difficult to achieve, and tremendously expensive.  If the result is anything less than perfection, then our eyes simply aren’t fooled.  It may seem counter-intuitive, but often a $200 latex appliance can be more convincing than several thousand dollars worth of computer time.

The DVD, from Warner Premiere, is okay—skimpy on special features, but acceptable.  The only bonus is the animated short Season’s Greetings, upon which the film is based.  The disc does include subtitles, something I always appreciate, but the lack of a commentary track on the feature (oddly, there is one for the animated short) is an unfortunate oversight on Warner’s part.  More information on the difficulties the producers had in finding distribution for this movie would be greatly appreciated.

For the Unimonster, there are certain movies that just define Halloween, movies that must be watched before the holiday ends or it’s just not Halloween.  Carpenter’s HALLOWEEN, Lugosi’s DRACULA, the original THE THING FROM ANOTHER WORLD—these movies say “Halloween” to me.  I do believe that TRICK ‘r TREAT will be joining that list this October … and for many Octobers to come.







13 June, 2011

Junkyardfilm.com's Moldy Oldie Movie of the Month: MOON OF THE WOLF

Title:  MOON OF THE WOLF

Year of Release—Film:  1972




Two stereotypical Southern rednecks wake up to the sounds of dogs howling from the swamp.  Hastily pulling on their boots and grabbing their scatterguns, they go stumbling into the darkness.  Suddenly, it’s daytime and they’ve discovered the savaged body of a young female, Ellie, apparently torn apart by a pack of wild dogs.  Sheriff Whitaker (David Janssen) is called out to investigate the death, followed shortly by Lawrence (Geoffrey Lewis), the victim’s dimwitted ex-boyfriend, who demands to know who the culprit was.  Hot on his heels is the grouchy town Doctor Druten (John Beradino) who insults the locals by saying “It’s not considered good medical practice to perform autopsies in the middle of swamps surrounded by howling dogs and scratching rustics.”  Back at the hospital, the doctor tells Sheriff Whitaker that she was killed by a single blow to the head from a left-handed person.

Later that afternoon, Sheriff Whitaker goes to visit Lawrence’s father, Old Man Hughes who, because he’s old and has lived all his life on Marsh Island, must know something about this...even though he’s frail, has dementia and is bedridden!  The Old Man keeps babbling on about something called a “lookaroo” but no one knows what he’s talking about.  Leaving the Old Man’s shack, Whitaker next goes to the mansion of the island founder’s offspring, Andrew Rodanthe (Bradford Dillman) and his sister, Louise (Barbara Rush).  (Janssen keeps pronouncing their last name as Rodan, which delighted me!)  Louise having just returned from living in New York City, is pleasantly surprised to find her old high school crush is now the town sheriff and begins outrageously flirting with him.  Sending Louise back into the mansion, Andrew curtly dismisses the sheriff, explaining that Louise is ill and needs rest and quiet.  Whitaker leaves and drives to the murder scene where he discovers a locket in the mud.  The two rednecks from the movie’s opening scene come strolling by so the Sheriff asks if the locket belonged to the murdered Ellie but they claim to never having seen it before.  Whitaker just shoves this potential clue into his pocket and leaves, leaving this viewer convinced the Sheriff just isn’t into this investigation!

Back in town, the Sheriff has a conversation with the Old Man’s caretaker who spills the beans that Ellie was pregnant!  Find out who the father was and you’d have your killer!  Naturally, Whitaker rushes back to the doctor’s office and demands to know why the doctor didn’t tell him of the girl’s pregnancy!  After some verbal sparring, the doctor confesses that he himself was the father.  “I didn’t kill her!  I loved her!” exclaims the doctor as Whitaker takes a long pull off the doctor’s whiskey bottle.  Now, apparently, everyone in town had a motive to kill her!  Later the same day, the town’s men-folk gather to go into the swamps and shoot the pack of wild dogs that killed Ellie.  Suddenly, Lawrence rushes out from the crowd and socks the doctor in the jaw, decking him, while shouting to everyone that the doctor knocked up the dead girl.  Arresting Lawrence, the Sheriff drives back to the Rodanthe place where he and Louise get to know each other better over glasses of lemonade.

Suddenly, it’s nighttime again and we watch as the Sheriff leaves Lawrence in the hands of his deputy, instructing the night-shift deputy to leave the cell door unlocked.  (Whitaker does run a tight ship, doesn’t he!?!)  Hearing a loud noise from the back of the station, the deputy decides not to follow the Sheriff’s instructions and locks Lawrence’s cell door before investigating the noise.  In a POV shot, we see the deputy torn apart before the POV beast tears the locked cell door off its hinges and savages Lawrence!  Dr. Druten tells Whitaker that the men have been torn apart by bare hands.

The next day, rich-kid Andrew volunteers to go with Whitaker to the Old Man’s place to help with the investigation.  But once there, Andrew suffers a fit when smelling some sulfur and molasses burning in a dish on the front porch.  This concoction is supposed to ward off ... werewolves!  PLOT POINT!  Whitaker drives to pick up Louise and take her to the hospital but sees a photo of Louise wearing the locket he’d discovered at the murder scene.  Louise admits it’s hers but she hadn’t seen it in years.  Back at the hospital, Andrew explains that he suffers from a rare malaria-like disease called Black Water Fever.  In order to keep his disease from becoming town gossip, Andrew had Ellie bring him a month’s supply of his medication from the hospital and he had given Ellie the locket earlier the evening she died.  Louise suggests that since she speaks French, she go talk to the Old Man. Listening to the Old Man babble, Louise says he’s not saying “lookaroo” but is actually saying “Loup-garou” which is French for ... WEREWOLF!  Suddenly, the Old Man grabs Louise’s hand and, speaking French, tells her she will be the next victim!  And, back in his hospital bed, we see the hairy, clawed hand of Andrew!

Andrew, now in full werewolf-mode, bursts from his hospital room, scares some nurses, knocks down an orderly and jumps through a plate-glass window, making good his escape.  A posse is formed to search the swamps for Andrew and Whitaker drives Louise back to the mansion.  But, Andrew isn’t in the swamps but has gone back home where Louise is reading up on lycanthropy and lycanthrope-like diseases.  Explaining to the sheriff that werewolves can only be killed by fire or by bullets that have been blessed, Whitaker decides to search for Andrew alone and he locks all the windows and tells Louise to lock the door after him.  But, Louise listens just about as well as the night-shift deputy did and leaves through a window when she hears werewolf-Andrew bust down the front door.  Running into the barn, she sees werewolf-Andrew standing in the loft and, flinging a burning oil lamp at him, rushes from the burning barn.  BUT WAIT!  Despite being burned to a cinder, werewolf-Andrew survives and, neatly pressed clothes uncharred, chases Louise up the stairs.  Bursting into her room, he’s met with a hail of bullets from Louise’s gun and collapses in the hallway as Whitaker arrives.  And, in true, time-honored, werewolf movie fashion, Andrew dies with his normal Andrew-face as Louise sobs “He knew!  He must have replaced my bullets with blessed bullets!”

Okay...in all fairness, for a made-for-TV movie, this wasn’t bad.  It wasn’t good either.  Barbara Rush played the sister with believability and Janssen, always looking like he’s suffering from some indigestion problems, was likeable as the Sheriff.  Because of some obscure pork-barrel politics, Bradford Dillman was required by Law to appear in every 70’s made-for-TV movie.  The sets appear to have been real Louisiana swamplands.  Beradino played the doctor in such a crotchety, unlikable way I’m surprised that any female, much less a lovely girl like Ellie, would have had anything to do with him.  The werewolf make-up was laughably BAD!  And the plot-holes...How was Andrew a werewolf?  Was he bitten by one before the movie began?  Or, as his sister explains, did he inherit the affliction from his Grandfather, who was given to “spells?”  And why did the Sheriff not bother to investigate any of the multitude of clues presented to him?  And, what about the super-human strength of the werewolf?  I don’t recall Lon Chaney, Jr., having the strength to rip through solid-steel cell bars!  And, someone should have told scriptwriter Alvin Sapinsley it’s SILVER BULLETS that kill werewolves, not blessed ones!  Still, for a 1970’s TV movie, it had a nice In the Heat of the Night atmosphere and nice little murder-mystery beginning, making for a nice little family-friendly werewolf movie.

Enjoy!  Or not!

MSTjunkie