As
is probably the case with most people these days, when I listen to
music it’s usually in the form of mp3s, on my cell phone. For
someone whose second album purchase (ten points if you get the
significance of that) was the soundtrack of Superman,
the Movie on
an 8-track tape, things have come a long way. One thing that hasn't changed or at least, I didn't think it had, is my taste in music. I
grew up in a house filled with music lovers, though each followed the
beat of a different drummer. My eldest sister Wanda Susan loved
Motown, our sister Dee Karen was deep into what I still think of as
‘hippie music’, the Beatles, the Doors, Janis Joplin. Our brother
David was Southern Rock—Lynyrd Skynyrd, Molly Hatchet, Blackfoot.
The youngest boy, Mark, was a heavy metal headbanger who loved Def
Leppard. Our mother was pure country. And from all of these
influences, and others, my rather broad and eclectic musical
predilections were formed.
I
long ago thought that my musical preferences were set, carved in
stone, beyond the point of change. From pure honky-tonk country, to
1950s Doo-Wop, to the symphonic works of Tchaikovsky, music remains
one of the great joys of my life, and until recently I was content.
However, while talking with a friend, the topic moved to favorite
music, and she mentioned a favorite song of hers, one that she loved
as a child, one that was on an old cassette of her mother’s. That
song was Eric Carmen’s Make
Me Lose Control,
which topped out at #3 in 1988. My first thought was that I was
twenty-four when that song came out, and she was not yet born. My
second thought was that I hated Eric Carmen when he was ‘popular’,
and then I realized, that
very song is on my phone.
Not only is it on my phone, but I paid $1.29 to put it there. When in
the hell did I start liking Eric Carmen?
But
as I pondered that, a more disturbing thought arose. That wasn't the only Carmen song on there, including some of his work when he was
lead singer with the Raspberries. I soon realized that there were
more songs from artists who I once disliked and who I now enjoy.
Okay,
before you regular readers start believing that the Unimonster is now
doing a music blog; let me reassure you that this article is about
horror movies. It occurred to me, as I was considering the rather
surprising turn in my musical affections, that there are movies which
I disliked upon first viewing them, and about which my opinions have
mellowed, somewhat.
One
of these, and the one that might be the most surprising for those
readers familiar with my love of the classics, is the 1992 version of
Dracula,
Francis Ford Coppola’s take on Bram Stoker’s classic novel.
Though far more faithful to Stoker’s vision than most of the films
that preceded it, upon my first viewing of it twenty-two years ago I
found it slow-paced, talky, and for the most part uninteresting. My
thoughts on it, from the personal notes from my database of Horror
films, were, “Overly
pretentious version of the Classic vampire tale nearly works, but is
finally dragged down by the weight of its own pomposity, as well as
Keanu Reeves’ absolutely wretched performance as Jonathan Harker.”
Recently however, I bought the Collector’s Edition DVD, released by
Sony Home Entertainment in October, 2007. While Reeves’ performance
is still just as wretched (seriously, was every
other
possible choice for Harker tied up at the time?), and the film still
comes off as pretentious, I found it far more enjoyable that I did
then. The 49-year-old Unimonster was more appreciative of the theme
of the film, which is ‘Love, lost yet still eternal’, than the
28-year-old Unimonster had been. I also found the manner in which the
historical Vlad Tepes, also known as Vlad Dracula, was reconciled
with Stoker’s fictional Count very satisfying. It will never be my
favorite version of the story, but it’s definitely one I will watch
again.
Another
that has grown on me with repeated viewings is The
Rocky Horror Picture Show.
This picture has gone from being one that left me cold, to being one
of my favorites. My first thoughts on this movie, again from my
database: “Though
it may rule the midnight movie show, on TV it's just a silly, dated
musical. Tim Curry's performance is inspired, but it can't lift this
out of mediocrity alone. Without the insanity that is the Audience
Participation, it just falls flat.”
Boy has my opinion changed! So much so that I’m embarrassed at how
wrong I was about this movie. While I've yet to attend a midnight
showing of the film, experiencing it the way it was meant to be
experienced, I can say that the experience of sitting in your living
room, singing along with all the songs as the dog looks at you with a
strange mix of concern and, yes, pity, must be similar.
However,
the movie that surprised me with how my opinions have changed over
the years is one that, if I had to be honest about at this point in
time, is in my personal top ten of Horror films, of all-time. That
movie is Sam Raimi’s classic The
Evil Dead.
Now when I watch it, I see one of the most imaginative, innovative
horror films of the last half of the 20th
Century,
a movie that defied conventions, low-budget, and good taste to become
one of the most popular films of the Drive-In era. Compare that to my
database: “Made on a nothing budget, Sam Raimi’s cult blockbuster
has never been a favorite of mine. Still, its popularity can’t be
denied … it’s become one of the biggest Horror franchises ever.”
Well, I was right … and wrong. Not about the historical
significance of Raimi’s movie; but about it not being a favorite of
mine. That part is no longer true.
Will
my taste continue to evolve over time? What will the 60-year-old
Unimonster’s opinion be of the movies that his 50-year-old self
detested? Some, I’m sure, will have aged well in my eyes, perhaps
prompting a similar look back in the 2024 version of the Unimonster’s
Crypt, delivered via thought waves directly into the brains of my
readers. Does that mean I’ll be sitting through my eighth or ninth
viewing of Snakes
on a Plane?
I wouldn't bet on that.
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